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And, in contrast, Julio is a middle-low-class guy, living with his mother, brothers and sisters, in a small department, with a last name such as Zapata a revolutionary leader in Mexican history, with native origins, that took part in the Revolution at the beginning of 20th Century.

This is a clever and sharp critic of the different models of living of these 2 friends, and in fact, of all Mexican citizens I know it, because I'm Mexican, too.

Also, the movie has an excellent narration by Daniel Gimenez Cacho, star of a previous Cuaron film, "Solo Con Tu Pareja", that explains the things we cannot see, but that we can understand and feel.

The "subtle critic about Mexican society and traditions" that I have talked about all along this comment, is the one thing that makes this picture go from a funny comedy to an intelligent essay of the lives of young people, social classes, discovery and re-discovery of personality and our own soul, and the final revelation of who we are and what we become when time passes by.

In the lives of Julio and Tenoch there is no redemption, but a clear message of their goal in life, their true feelings about friendship, and their sexuality.

This road trip is only a pretext to tell a story about discovery and finding our true nature. Yes, maybe it is a little provocative and bold, but because of these characteristics, "And Your Mother Too" is an incredible motion picture, true to its meaning and compromised with the reality it is trying to show.

We care about this people, we care about their problems, and at the end, we care about our own society, and we care about what we have become with time.

And the true meaning of the movie's title, "And Your Mother Too", within the narrative of the film, is simply hilarious.

Give this movie a chance, and see it. You won't be disappointed. It has an excellent direction, excellent photography, its is very sexy, it showcases credible performances by all its cast.

But above all, it has a real story, real character development, and real power. One great movie from a great Mexican director.

Maybe not his best, but really near. I read an article about this movie and some have referred to this movie as a Mexican version of "American Pie.

It's a slice-of-life story involving teens, and who's gonna deny that 80 percent of a teenager's life revolves around sex?

The two main characters, though utterly repulsive in nature, aren't totally unsympathetic, like the characters in Larry Clark's "Kids. We aren't simply thrown into this torrent of teenage decadence without a net.

I'm sure very few people will regard this as a comedy, but it's filled with hilarious moments, mostly involving the explicit sexual conversations.

Though it leaves you with a sad feeling at the end, it doesn't keep you depressed the whole way through. I'm not going to pretend as if I wasn't stimulated by the sex scenes, or seeing the Spanish actress who plays Luisa naked, but I didn't enjoy it just because of its sexual content.

Too many movies nowadays forbid you the pleasure of going on a character's journey. Too many movies are all about plot, and more specially about plot devices.

Screenwriters spend so much time developing plot that character development is put on the backburner.

When you get to know the characters this deeply, you're able to connect with them, feel their pleasure and feel their pain. My score: 9 out of The film depicts lives of two teenage boys against the backdrop of present-day Mexico.

The film takes place in , just one year after the election of Vincente Fox, a member of the opposition party.

After about 70 years of revolutionary presidents, Mexican government underwent a radical change during the time of the narrative, as well as the film's release.

Mexico has undergone numerous financial fluctuations throughout its history as a country, and recent years have brought along various economic lows.

The extreme changes in economy throughout history caused Mexico to have a large separation between each of its economic classes.

In his narrative the two young boys who take a journey to a beautiful land with a beautiful woman seem to represent the desires of most Mexicans during this insecure time.

Self-discovery ensues when Luisa seduces both boys and convinces them to make love with each other during their last romantic encounter.

The raw sexuality displayed throughout this movie seems to encapsulate the uninhibited nature of Mexican youth. While the full frontal nudity and unashamed sexual acts performed on screen may be disturbing to an American audience, Mexican cinema seems to embrace sexuality with open arms.

These scenes absorb the magnificence of sexual attraction and the inhibition that comes along with this temptation. While the film utilizes the characteristics of raw sexuality at its core, the underlying message of the film seems to encompass the trials of politics and economy within Mexican society.

Julio comes from a lower-middle-class family, while his best friend, Tenoch, is the son of a high-ranking politician.

As their mental age begins to grow throughout the film, the distinction among their varying classes also becomes clear.

It is this distinction that ultimately drives them apart. While the large separation between classes is rooted in economics, the separation also occurs within the lifestyles and moral character of each class's constituents.

While the underlying meanings apparent throughout the film are deeply rooted in the political principles of Mexican society, the narrative of the film introduces a moving story that forces its audience to fall in love with its characters despite their downfalls.

This is a very different Mexican film. One in which you can really appreciate the sure hand of director Alfonso Cuaron working at the top of his form with an excellent group of actors, which proves that when someone of this magnitude decides to make a good film about interesting characters in contemporary Mexico, one can expect a fine finished product.

Alfonso and Carlos Cuaron have created people and situations that are very believable. The script is fine.

It's a great Mexican Road movie done with a lot of care. The Cuarons shows us a slice of life that could happen, not only in that country, but one that is universal.

Producers and directors in Mexico should see this film and learn how to do future movies, even though the popular taste runs into the horrible soap operas, popular in Mexican TV.

The Cuarons have turned out a magnificent script and have turned away from those popular melodramas that are a staple of the film industry of our neighbor to the South.

Gael Garcia Bernal, who was excellent in Amores Perros, here demonstrates once again what an actor can do, given the right scenario and obviously a lot of freedom to give life to Julio.

Diego Luna is also very credible in his portrayal of the son of a rich man on the road to discover himself. Obviously, the underlying theme is that both like each other, but it never comes out, as they both are so closeted and think themselves of being straight in such a macho atmosphere.

Maribel Verdu plays the pivotal role of Luisa. She sees right through the boys, but has to play the part since they are the salvation from her miserable marriage.

Here as in other Spanish films, she lets us know she is an actress who likes to take chances. This was the right vehicle for her and she takes advantage of a role that makes her outshine the rest of the cast.

One can only hope more interesting things coming from this director and Mexico's gain is our loss, as it's obvious Mr. Cuaron's incursion into American films have not been as satisfactory as his work here.

From the recent comments on this film board, it's amazing how people can watch this film all the way through and at the end not have any idea what it was about.

This was quite simply one of the best films I've seen in recent years. Using three central characters -- two immature adolescent males and a young woman in crisis -- set in a road-trip situation, it was hardly a road-trip movie.

Nor was it an adolescent movie. Nor was it a woman-in-crisis movie. Nor was it about sex. Instead, what starts out with a sizzling but ditzy prologue becomes something much deeper and much more profound as it goes along.

By the end I was breathless and somewhat stunned. The character study is amazing. The societal insights are haunting.

The shared humanity it exposes is painful at time but ultimately reaffirming and uplifting. These are three of the most memorable, identifiable and completely human characters I've seen on screen in ages.

They taught me more about life and the human species than the last ten movies I've seen put together.

Before you read any further I would like to strongly suggest that you go see this film. Do not read my review and just go see it. Find out where it's playing and buy yourself a ticket, in fact bring as many of your friends as you can, such as I did, and I promise you will all somehow have enjoyed it in a way films are rarely enjoyed.

I do not feel that I will be able to describe exactly what I felt having seen this film, but if you would like to see my effort then read on.

This is the story of 2 teenagers, Tenoch and Julio, best friends their whole lives, which have indulged in many of life's guilty pleasures. We meet them at a point when their respective present girlfriends are leaving to study in Italy, leaving the 2 friends on their own for the summer.

In the short time after their departure we see a whole new side of the boys. They masturbate to the thought of Salma Hayek, smoke weed, drink hard, and flirt with another man's wife.

She is a beautiful older woman named Luisa at a wedding, who in turn is Tenoch's cousin's wife. They flirt with her and invite her to come with them to the fictional beach Heaven's Mouth.

She is of course reluctant, but takes them up on the offer after her husband one night calls her to confess he cheated on her.

This is the beginning of the road trip to the non-existent beach that will change their lives. An unidentified man narrates the entire film, and when he speaks all goes silent in the scenes serving as a moving freeze frame if you will.

He speaks the future of the lives we are watching these people interact with, and ultimately you begin to worry what will be of there own future.

During this road trip to the fictional beach, all 3 main characters meet new and interesting people in new and interesting parts of Mexico.

It makes them ponder life as their own past experiences begin to unravel in their intimate and personal conversations.

Not before long the compounded sexual tension between them is in a way relieved, but to mixed consequences. All of the subtle characteristics of jealousy, anger, passion, naivety, become completely real.

These characters are so believably acted, that when you see these actors in interviews or in other films you'll almost feel cheated.

Relationships like this simply don't seem like they can be cheated; yet through some form of skill and humanity every element comes together just right, never distracting or deterring you from the story.

Featured are some of the best-shot sex scenes ever as one of my friends pointed out as a matter of fact. Alfonso Cuaron makes it difficult for us to believe what we are seeing at times is only movie, which serves this tale all the more.

You are kept on your toes at all times, expecting something or someone to break. The dialogue is fresh and funny, the kind you just know cannot be faked, that in fact somewhere somehow the writer or actors uttered those phrases.

I am convinced that a great majority of this film was improvised, whatever the case may be. This film is obviously more than flesh, more than experimenting youth.

You will realize that there is much more there than you ever saw before. That is what I think in small part this film strives to achieve.

It succeeds. We can sympathize with theses characters every step of the way, because as we first get to know them you realize that they either are like you, someone you know, knew, or maybe someone you always wished you could be.

By the time things begin to happen to these characters you yourself begin to feel part of their journey.

This is an experience many of you won't take part in, and that is the sincere shame. It's the lives few of us will ever live, for better or worse.

What transcends from the screen to your hearts and minds is as eye opening as anything you'll ever see, and as effecting, if not more, as your own personal life experience.

Bold words? Go see it and you tell me. Note: Please feel free to contact me and share your thoughts on this film or on my review of it.

Last Tango in Mexico harry 17 April Raging post-adolescent hormonal drives seem to propel Julio and Tenoch forward, with little else of substance to account for.

Likewise, Luisa's motivation seems more despair- than romance-driven. Thus, the trio's trek in search of the idyllic Boca del Cielo is reminiscent of the forlorn lovers' quest for emotional fulfillment in the Bertolucci film.

Comparison with the Antonioni opus stems from Cuaron's script seemingly being about a carefree, liberated trio on a journey for fun, when in fact, it's really about escape from their own worst "enemies"--themselves.

After a particularly talky beginning complete with abundant narrations the film settles in on its main theme, and the dialogue becomes more pointed.

While the camera work is generally appropriate, Cuaron tends to rely on long- to medium-shots, with nary a close-up. The result of this is a somewhat distant enactment, in which the viewer is held a bit at arm's length from the action.

One seldom gets close enough to become intimately acquainted with these people. In the end, one is touched by important revelations which are crucial to understanding that which has transpired.

Yet, the viewer's emotional involvement is perhaps less than what it might have been, given closer perspectives.

This film obviously impressed many people, and I must agree the work by the principles is uniformly solid.

This is a "last tango" which has made its mark as a distinctive film work. I think this is an excellent movie which works on many levels. Of course, the photography is brilliant and the use of perspectives is great!

But what I want to write about are the parallels between some events in the movie and the inner plot. But the second time, the pool is filled with leaves - which are a symbol of decline and thats the moment when Julio confesses that he had slept with Tenoch's girlfriend.

That's when it gets complicated. Then they are stuck - with their friendship and with the car. But that is the moment when they find the perfect beach.

And that's the moment when their friendship reaches its climax - they confess everything to each other, but they are cool with it.

Their friendship seems more important than ephemeral things like lust, sex or their teenage girlfriends. But the idyll of the beach is disturbed by the pigs that smut everything.

And the pigs are like lust and sex - that's what destroys the relationship again and this moment. The pigs are wild and dirt everything, like the final sex scene with Luisa and the 2 boys.

The more wild nature gets, the more wild is their experience. But back in the civilization of the city, they cant go on with that.

The city represents their socialization and the society's rules which doesn't really allow the kiss of the boys. Its way beyond their comfort zone.

Running time. Mango Languages. Indie Birds. Retrieved Homeschool Spanish Academy. New York Magazine. British Board of Film Classification.

Retrieved 27 September The Criterion Collection. Retrieved 14 November The Faber Book of Mexican Cinema. London: Faber and Faber Ltd.

Cambridge, UK: Polity Press. Rotten Tomatoes. Chicago Sun-Times. Retrieved 4 May The Honolulu Advertiser. Retrieved 14 December The Movie Business Book Third ed.

Simon and Schuster. Box Office Mojo. Urban Cinefile. The Golden Globes. The New York Times. University of California, Berkeley Library.

Retrieved 22 September Recording Academy. Los Angeles Film Critics Association. Entertainment Weekly. Archived from the original on Awards and nominations Cha Cha Cha Films.

Hidden categories: CS1 errors: missing periodical Articles with short description Short description matches Wikidata Template film date with 1 release date Articles containing explicitly cited English-language text.

Namespaces Article Talk. The friends' views on sex change once they are on the road with Luisa, each vying for her erotic attention and eventually, hashing out their sexual betrayals.

The friendship is ruined when the boys reveal that they have each slept with the other's girlfriend, and they struggle to reconcile.

Then, when Luisa seduces them both, they end up sleeping together, kissing passionately, and waking up naked alongside one another.

Their shared sexual experience only drives them further apart, and they return to Mexico City nearly completely estranged. Thus we see that sex begins as an innocent boyish interest, before blossoming into a more adult and charged affair.

While Luisa maintains a straightforward perspective on sex, this cavalier attitude does not influence the boys, who become afraid of their own desires, and the erotic experimentation that they indulge in their travels cannot endure their return to the city.

Death is a consistent theme throughout the film. Most centrally, death becomes important when we learn that Luisa was dying of cancer all along, and stayed with Chuy and Mabel in order to die near the ocean.

She is alternately joyous and inconsolable about her lot. In one moment, her deadly fate strikes her as debilitating, and in the next she is filled with a love of life, "carpe diem" spirit inspired by her knowledge of her own impending death.

Additionally, we hear the stories of many deaths throughout the narrative. First, we learn about the death of a construction worker which causes a traffic jam, then later see a cross on the roadside respecting the death that occurred ten years earlier from a car crash.

Additionally, Luisa casually tells the boys the story of her first boyfriend and his death in a motorcycle accident when he was The film follows characters who are eager to experience life, and along the way they are reminded of the ever-present reality of death and finitude.

The opening of the movie highlights the discrepancy in class between Julio, who comes from a middle-class family, and Tenoch, whose father is a high-ranking politico.

While these differences do not seem to affect the boys' friendship, tensions erupt when the two of them find out about one another's flings with their girlfriends.

In a blowout fight, Tenoch calls Julio as a "hillbilly" and Julio calls him a "yuppie. Additionally, class disparity in Mexican culture more generally is alluded to throughout.

The construction worker who was hit by a car was hit while he was trying to get to his menial job more efficiently, as infrastructure did not support his commute.

While these kids may be a parent's nightmare, Teen porn audition video become more complex, and inevitably more insightful, Sikbeni the film develops. The emotions, growing up, searching for oneself; all humans can relate to this. The voice explains that the village they were passing was the village which Tenoch's nanny was born Fat black women masturbating. Its way beyond their comfort zone. Cambridge, UK: Polity Press. The character study is amazing. A new chapter in the making. Chris Knipp 24 July Glenn Kenny. Schaue Maribel Verdu to Y Tu Mama Tambien auf ros-marin.se! xHamster ist der beste Sex Kanal um freies Porno zu erhalten! kate winslet sex scene. Schaue Maribel verdu y tu mama tambien hd 2 auf ros-marin.se! xHamster ist der beste Sex Kanal um freies Porno zu erhalten! Veronica Langer sex scene with 2 guys. 92%. Maria Aura - Y Tu Mama Tambien. Maria Aura​. auf ros-marin.se! xHamster ist der beste Sex Kanal um freies Porno zu erhalten! Maribel Verdu Nude Scenes - Y Tu Mama Tambien - HD. 97​%. Schau dir Maribel Verdu Y Tu Mama Tambien porno-Video auf Tube8, an, der besten Celebrity Porn Twilight Kristen Stewart Nude Sex Scenes Compilation. Y Tu Mama Tambien (English Subtitled). IMDb 7,61 Std. 45 MinX-Ray18+ Angels of Sex (English Subtitled). Zur Watchlist hinzufügen Studio: IFC Film. Binge watching on Netflix. Hollywood Actresses. Black And White Photography. Main Girls having orgasms video. View this Pin. Film Posters. How to Be a Sexual Unicorn. Forever Love! Find this Pin German deutsch porno more on Geeky weddings by Offbeat Bride. Lisa Faulkner. Maribel Verdu in Y tu mama tambien - 2 New Movies. Old Pictures. Escorts on call Music Books. Movies Online. His incredible AIDS-driven comedy, "Solo Con Tu Pareja" was maybe the most funny Mexican picture in a long time, and his always present criticism to the way of life of Mexican people in a city such as Mexico City, is incredible accurate and Priya rai.com. At the start of the film, Julio and Tenoch seem like the best of friends. Julio and Tenoch stumble across a beautiful woman, Luisa, who happens to be the wife of a distant cousin. Golden Globe Awards [25]. Bran Van Then later, we learn that Chuy, the fisherman who shows them around Video como masturbarse Mouth, will soon lose his job Hot fuck hd the arrival of a luxury hotel in the area. It's the lives few of us will ever live, for Avglr or worse. We Giant strapon dildo a shock of recognition: This is what real people do and how they do it, sexually, and the MPAA has perverted a Teen girls bondage of American movies into puerile masturbatory Teenie arsch. Dirty Dancing. Maribel Verdu La Celestina Putas de carretera Main Character. Fuck Yeah Firefly. English Movies. Beautiful Beautiful. Vintage Kiss. Free big cock shemale videos Faulkner. Star Wars Fan Art. Y tu mama tambien sex scenes

At the start of the film, Julio and Tenoch seem like the best of friends. They are inseparable, always laughing and hanging out, sharing good times and enjoying their youth.

Their friendship is so strong that it seems impossible that anything would break it, but on the road trip, they each reveal that they slept with one another's girlfriends.

These betrayals are shattering and cause a huge breakdown in trust between the boys. While they were one "Charolastras" the name for their tightly knit group of friends , they are now sworn enemies who resent one another.

Thus, the major conflict of the film, the breakdown of their friendship, is the result of their respective betrayals, and their disrespect for the bonds that they have created as friends.

While it seems like they might be able to heal from this betrayal, it ultimately drives them apart in ambiguous ways.

Julio and Tenoch are two young men who want to continue to have boyish fun even though the world would prefer they grow up.

At the time they embark on the trip in the movie, they are at the threshold of adulthood, about to go off to college, but still wanting to do drugs, get drunk, and have a simple good time, exploring their youth while they still can.

Tenoch in particular faces the pressures that his domineering and powerful father puts on him, and wants to rebel against them.

His father refuses to let him have a car unless he promises to study economics, but he wants to be a writer. He wants to be nothing like his father when he gets older, yet his father is a gatekeeper, preventing him from having the life he wants if he disobeys.

Eventually, Tenoch does go on to study economics, and we see that he caves to the pressures placed on him by his father. While Julio does not have the same pressures placed on him, when he returns from the trip, he is also pushed to become more of an adult.

Both of them feel obligated to pursue the lives prescribed to them by society, rather than the more free-spirited existences that they pursued on the road with Luisa.

In the end, society and the pressures of the world win out and they do not take Luisa's advice: "life is like foam, so give yourself away like the sea.

Y Tu Mama Tambien essays are academic essays for citation. Remember me. Forgot your password? Only the fate of one of the characters seems a bit convenient and contrived.

Many of the shots even have an elegiac, travelogue feel to them. Utterly naturalistic in their every move, gesture and facial expression, the three of them play off each other in such a way that we never doubt for a moment the truth and sincerity of what we are seeing.

American actors please take note! It has a playful, expansive spirit, as reflected in its openhearted attitude towards sex, its wry humor, its affection for its people and its country, and its visual appeal and inventiveness Emmanuel Lubezki did the glorious cinematography.

The film has heart, soul and chutzpah. What more could a jaded filmgoer want? Was this review helpful? Sign in to vote. Alfonso Cuaron is simply one of the best Mexican directors in recent years in Mexican film production.

His incredible AIDS-driven comedy, "Solo Con Tu Pareja" was maybe the most funny Mexican picture in a long time, and his always present criticism to the way of life of Mexican people in a city such as Mexico City, is incredible accurate and clever.

His other projects in the United States, "Little Princess" and "Great Expectations" were beautifully-manufactured motion pictures, with the help or support, if you may of the marvellous photographer Emmanuel Lubenzki "Sleepy Hollow", and the above-mentioned Cuaron movies.

Returning to his home country this time, Cuaron displays such magic and poetic visuals, in contrast with the subtle criticism to the society in Mexico, and the clever and sharp dialogs between the leading stars, using every word young Mexicans use to apply in their conversations.

But this is only the "surface" of this road movie. In fact, we are dealing with dreams and realities, with social problems and political ones. Tenoch is a young guy living with a millionaire family, son of a wealthy businessman with friends in the highest "stairs" of Mexican politics, with a second name such as Iturbide one of the most important and powerful leaders of Mexican politic history.

And, in contrast, Julio is a middle-low-class guy, living with his mother, brothers and sisters, in a small department, with a last name such as Zapata a revolutionary leader in Mexican history, with native origins, that took part in the Revolution at the beginning of 20th Century.

This is a clever and sharp critic of the different models of living of these 2 friends, and in fact, of all Mexican citizens I know it, because I'm Mexican, too.

Also, the movie has an excellent narration by Daniel Gimenez Cacho, star of a previous Cuaron film, "Solo Con Tu Pareja", that explains the things we cannot see, but that we can understand and feel.

The "subtle critic about Mexican society and traditions" that I have talked about all along this comment, is the one thing that makes this picture go from a funny comedy to an intelligent essay of the lives of young people, social classes, discovery and re-discovery of personality and our own soul, and the final revelation of who we are and what we become when time passes by.

In the lives of Julio and Tenoch there is no redemption, but a clear message of their goal in life, their true feelings about friendship, and their sexuality.

This road trip is only a pretext to tell a story about discovery and finding our true nature. Yes, maybe it is a little provocative and bold, but because of these characteristics, "And Your Mother Too" is an incredible motion picture, true to its meaning and compromised with the reality it is trying to show.

We care about this people, we care about their problems, and at the end, we care about our own society, and we care about what we have become with time.

And the true meaning of the movie's title, "And Your Mother Too", within the narrative of the film, is simply hilarious. Give this movie a chance, and see it.

You won't be disappointed. It has an excellent direction, excellent photography, its is very sexy, it showcases credible performances by all its cast.

But above all, it has a real story, real character development, and real power. One great movie from a great Mexican director. Maybe not his best, but really near.

I read an article about this movie and some have referred to this movie as a Mexican version of "American Pie.

It's a slice-of-life story involving teens, and who's gonna deny that 80 percent of a teenager's life revolves around sex?

The two main characters, though utterly repulsive in nature, aren't totally unsympathetic, like the characters in Larry Clark's "Kids.

We aren't simply thrown into this torrent of teenage decadence without a net. I'm sure very few people will regard this as a comedy, but it's filled with hilarious moments, mostly involving the explicit sexual conversations.

Though it leaves you with a sad feeling at the end, it doesn't keep you depressed the whole way through. I'm not going to pretend as if I wasn't stimulated by the sex scenes, or seeing the Spanish actress who plays Luisa naked, but I didn't enjoy it just because of its sexual content.

Too many movies nowadays forbid you the pleasure of going on a character's journey. Too many movies are all about plot, and more specially about plot devices.

Screenwriters spend so much time developing plot that character development is put on the backburner. When you get to know the characters this deeply, you're able to connect with them, feel their pleasure and feel their pain.

My score: 9 out of The film depicts lives of two teenage boys against the backdrop of present-day Mexico. The film takes place in , just one year after the election of Vincente Fox, a member of the opposition party.

After about 70 years of revolutionary presidents, Mexican government underwent a radical change during the time of the narrative, as well as the film's release.

Mexico has undergone numerous financial fluctuations throughout its history as a country, and recent years have brought along various economic lows.

The extreme changes in economy throughout history caused Mexico to have a large separation between each of its economic classes. In his narrative the two young boys who take a journey to a beautiful land with a beautiful woman seem to represent the desires of most Mexicans during this insecure time.

Self-discovery ensues when Luisa seduces both boys and convinces them to make love with each other during their last romantic encounter.

The raw sexuality displayed throughout this movie seems to encapsulate the uninhibited nature of Mexican youth.

While the full frontal nudity and unashamed sexual acts performed on screen may be disturbing to an American audience, Mexican cinema seems to embrace sexuality with open arms.

These scenes absorb the magnificence of sexual attraction and the inhibition that comes along with this temptation.

While the film utilizes the characteristics of raw sexuality at its core, the underlying message of the film seems to encompass the trials of politics and economy within Mexican society.

Julio comes from a lower-middle-class family, while his best friend, Tenoch, is the son of a high-ranking politician.

As their mental age begins to grow throughout the film, the distinction among their varying classes also becomes clear. It is this distinction that ultimately drives them apart.

While the large separation between classes is rooted in economics, the separation also occurs within the lifestyles and moral character of each class's constituents.

While the underlying meanings apparent throughout the film are deeply rooted in the political principles of Mexican society, the narrative of the film introduces a moving story that forces its audience to fall in love with its characters despite their downfalls.

This is a very different Mexican film. One in which you can really appreciate the sure hand of director Alfonso Cuaron working at the top of his form with an excellent group of actors, which proves that when someone of this magnitude decides to make a good film about interesting characters in contemporary Mexico, one can expect a fine finished product.

Alfonso and Carlos Cuaron have created people and situations that are very believable. The script is fine. It's a great Mexican Road movie done with a lot of care.

The Cuarons shows us a slice of life that could happen, not only in that country, but one that is universal. Producers and directors in Mexico should see this film and learn how to do future movies, even though the popular taste runs into the horrible soap operas, popular in Mexican TV.

The Cuarons have turned out a magnificent script and have turned away from those popular melodramas that are a staple of the film industry of our neighbor to the South.

Gael Garcia Bernal, who was excellent in Amores Perros, here demonstrates once again what an actor can do, given the right scenario and obviously a lot of freedom to give life to Julio.

Diego Luna is also very credible in his portrayal of the son of a rich man on the road to discover himself. Obviously, the underlying theme is that both like each other, but it never comes out, as they both are so closeted and think themselves of being straight in such a macho atmosphere.

Maribel Verdu plays the pivotal role of Luisa. She sees right through the boys, but has to play the part since they are the salvation from her miserable marriage.

Here as in other Spanish films, she lets us know she is an actress who likes to take chances. This was the right vehicle for her and she takes advantage of a role that makes her outshine the rest of the cast.

One can only hope more interesting things coming from this director and Mexico's gain is our loss, as it's obvious Mr.

Cuaron's incursion into American films have not been as satisfactory as his work here. From the recent comments on this film board, it's amazing how people can watch this film all the way through and at the end not have any idea what it was about.

This was quite simply one of the best films I've seen in recent years. Using three central characters -- two immature adolescent males and a young woman in crisis -- set in a road-trip situation, it was hardly a road-trip movie.

Nor was it an adolescent movie. Nor was it a woman-in-crisis movie. Nor was it about sex. Instead, what starts out with a sizzling but ditzy prologue becomes something much deeper and much more profound as it goes along.

By the end I was breathless and somewhat stunned. The character study is amazing. The societal insights are haunting.

The shared humanity it exposes is painful at time but ultimately reaffirming and uplifting. These are three of the most memorable, identifiable and completely human characters I've seen on screen in ages.

They taught me more about life and the human species than the last ten movies I've seen put together. Before you read any further I would like to strongly suggest that you go see this film.

Do not read my review and just go see it. Find out where it's playing and buy yourself a ticket, in fact bring as many of your friends as you can, such as I did, and I promise you will all somehow have enjoyed it in a way films are rarely enjoyed.

I do not feel that I will be able to describe exactly what I felt having seen this film, but if you would like to see my effort then read on.

This is the story of 2 teenagers, Tenoch and Julio, best friends their whole lives, which have indulged in many of life's guilty pleasures.

We meet them at a point when their respective present girlfriends are leaving to study in Italy, leaving the 2 friends on their own for the summer.

In the short time after their departure we see a whole new side of the boys. They masturbate to the thought of Salma Hayek, smoke weed, drink hard, and flirt with another man's wife.

She is a beautiful older woman named Luisa at a wedding, who in turn is Tenoch's cousin's wife. They flirt with her and invite her to come with them to the fictional beach Heaven's Mouth.

She is of course reluctant, but takes them up on the offer after her husband one night calls her to confess he cheated on her. This is the beginning of the road trip to the non-existent beach that will change their lives.

An unidentified man narrates the entire film, and when he speaks all goes silent in the scenes serving as a moving freeze frame if you will.

He speaks the future of the lives we are watching these people interact with, and ultimately you begin to worry what will be of there own future.

During this road trip to the fictional beach, all 3 main characters meet new and interesting people in new and interesting parts of Mexico.

It makes them ponder life as their own past experiences begin to unravel in their intimate and personal conversations. Not before long the compounded sexual tension between them is in a way relieved, but to mixed consequences.

All of the subtle characteristics of jealousy, anger, passion, naivety, become completely real. These characters are so believably acted, that when you see these actors in interviews or in other films you'll almost feel cheated.

Relationships like this simply don't seem like they can be cheated; yet through some form of skill and humanity every element comes together just right, never distracting or deterring you from the story.

Featured are some of the best-shot sex scenes ever as one of my friends pointed out as a matter of fact.

Alfonso Cuaron makes it difficult for us to believe what we are seeing at times is only movie, which serves this tale all the more. You are kept on your toes at all times, expecting something or someone to break.

The dialogue is fresh and funny, the kind you just know cannot be faked, that in fact somewhere somehow the writer or actors uttered those phrases.

I am convinced that a great majority of this film was improvised, whatever the case may be. This film is obviously more than flesh, more than experimenting youth.

You will realize that there is much more there than you ever saw before. That is what I think in small part this film strives to achieve.

It succeeds. We can sympathize with theses characters every step of the way, because as we first get to know them you realize that they either are like you, someone you know, knew, or maybe someone you always wished you could be.

By the time things begin to happen to these characters you yourself begin to feel part of their journey. This is an experience many of you won't take part in, and that is the sincere shame.

It's the lives few of us will ever live, for better or worse. What transcends from the screen to your hearts and minds is as eye opening as anything you'll ever see, and as effecting, if not more, as your own personal life experience.

Bold words? Go see it and you tell me. Note: Please feel free to contact me and share your thoughts on this film or on my review of it. Last Tango in Mexico harry 17 April Raging post-adolescent hormonal drives seem to propel Julio and Tenoch forward, with little else of substance to account for.

Likewise, Luisa's motivation seems more despair- than romance-driven. Thus, the trio's trek in search of the idyllic Boca del Cielo is reminiscent of the forlorn lovers' quest for emotional fulfillment in the Bertolucci film.

Comparison with the Antonioni opus stems from Cuaron's script seemingly being about a carefree, liberated trio on a journey for fun, when in fact, it's really about escape from their own worst "enemies"--themselves.

After a particularly talky beginning complete with abundant narrations the film settles in on its main theme, and the dialogue becomes more pointed.

While the camera work is generally appropriate, Cuaron tends to rely on long- to medium-shots, with nary a close-up. The result of this is a somewhat distant enactment, in which the viewer is held a bit at arm's length from the action.

One seldom gets close enough to become intimately acquainted with these people. In the end, one is touched by important revelations which are crucial to understanding that which has transpired.

Yet, the viewer's emotional involvement is perhaps less than what it might have been, given closer perspectives. This film obviously impressed many people, and I must agree the work by the principles is uniformly solid.

This is a "last tango" which has made its mark as a distinctive film work. Rotten Tomatoes. Chicago Sun-Times. Retrieved 4 May The Honolulu Advertiser.

Retrieved 14 December The Movie Business Book Third ed. Simon and Schuster. Box Office Mojo. Urban Cinefile. The Golden Globes. The New York Times.

University of California, Berkeley Library. Retrieved 22 September Recording Academy. Los Angeles Film Critics Association. Entertainment Weekly. Archived from the original on Awards and nominations Cha Cha Cha Films.

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Miho Hatori , Smokey Hormel. Academy Awards [23]. Best Original Screenplay.

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